Holmes slots into the band's efforts perfectly, steering away from straightforward time structures while never losing the core dance drive, able to play both powerfully and subtly. Far from being a one-hit wonder, though, Organisation is packed with a number of gems, showing the band's reach and ability continuing to increase. The outrageous use of the atomic bomb scenario - especially striking given the era's nuclear war fears - informs the seemingly giddy song with a cut-to-the-quick fear and melancholy, and the result is captivating. That was shown as much by the astounding lead track and sole single from the album, 'Enola Gay.' Not merely a great showcase for new member Holmes, whose live-wire drumming took the core electronic beat as a launching point and easily outdid it, 'Enola Gay' is a flat-out pop classic - clever, heartfelt, thrilling, and confident, not to mention catchy and arranged brilliantly. If OMD's debut album showed the band could succeed just as well on full-length efforts as singles, Organisation upped the ante even further, situating the band in the enviable position of at once being creative innovators and radio-friendly pop giants.